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Small Bibles for Bad Times: Selected Poems and Prose of Liliane Atlan

$21.00

FOR LILIANE ATLAN (1932-2012), visionary French writer of plays, poetry, and prose, the creative quest was to “find language to say the unsayable. . . to [find a way] to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz.” Having spent the war years as a child in hiding, she then studied at the groundbreaking Gilbert Bloch school where she was immersed in Torah, Talmud and Kabbalah, alongside science and contemporary literature. She emerged from her into a genre-defying, feminist, and political writer, active in both France and Israel.

Atlan defies easy categorization: she’s “a “Jewish writer,” “a Holocaust writer,” an originator of l’écriture féminine, and a pioneering theatre artist, one of the first (in the early 1980s) to experiment with video, sound, and spatial technology. Her poetry and prose comprise a large, important part of her oeuvre and the texts and are published here in English for the first time, translated by Marguerite Feitlowitz.

From murderous history, Atlan wrested a body of work that is radiant with life. When Liliane died in Israel in 2012. she engraved on her tombstone her final wish: “The one I used to be no longer exists. But her light shines again. What light? The fight for love in spite of human horror.” This new translation of her work resurrects her voice anew and helps insure her legacy for future generations.

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SKU: 9781942134688 Category: Tag: Product ID: 258

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About the Authors

Liliane Atlan is a postwar French Jewish writer whose plays, poetry and narratives display innovative forms at the limit of written and oral literature. Atlan’s consciousness of Jewish identity—like that of other French intellectuals d’origine juive (of Jewish origin)—was profoundly affected by the German Occupation and the collaborationist regime of Vichy. The crucial question that has informed her artistic production, to use her own words, consists in seeking: how to integrate within our conscience, without dying in the attempt, the shattering experience of Auschwitz. Atlan has assumed the traditional role of Jewish intellectual as preserver of memory and commemorator of catastrophe.

Thematically, the author draws on personal memories of the Occupation, testimonials of Holocaust survivors, investigation of historical archives and her intensive study of Jewish literature. Atlan explicitly inscribes Jewish identity in the themes of her writing, while implicitly inscribing her Jewishness in formal elements that interweave, within texts written in French, the liturgical rhythms and syntactical patterns of secular and sacred Jewish texts, linguistic traces of Hebrew, Ladino and Yiddish, and a lexicon rich in Jewish mystical imagery.

Atlan presently resides and works in Paris. Her two children, Miri Keren and Michaël Atlan, and her six grandchildren live in Israel. Liliane died in Israel in 2012.

Marguerite Feitlowitz is an author and translator whose work has focused on the way disaster affects our relationship to language. She is the author of A Lexicon of Terror: Argentina and the Legacies of Torture, a 1998 New York Times Notable Book and a finalist the L.L. Winship/PEN New England Award. Her most recent book translation is Pillar of Salt: An Autobiography with Nineteen Erotic Sonnets, by Salvador Novo (University of Texas Press, 2014). She co-guest edited the Spring 2014 issue of Review: Literature and Arts of the Americas, whose theme is “Beyond Violence: Toward Justice” She is a professor of Literature at Bennington College in Vermont. She lives in Washington DC.

Reviews

“Only a life lived on the edge such as Liliane Atlan’s could have given rise to these highly original poems, at once manic and tragic, electrifying and poignant.” Hoyt Rogers, writer and translator from the French, German, Italian, and Spanish; he has translated books by Bonnefoy and Borges, among other authors

“Liliane Atlan’s poems are as personal as dreams and as public as history. Wry, spare, flickering with wit, they are also resonant, authoritative, weighted with centuries of what Atlan calls ‘the wisdom that is not inscribed,’ that ‘makes written notes inexhaustible.’” Rachel Hadas, the author of many books of poetry, prose, and translations ― her most recent book is Poems for Camilla.

Liliane Atlan writes both prose and poetry with the beauty and brilliance of lyric, the bite of epigram, the passion of an idealist fighting to survive in a brutal world. In the colloquies of great poets held in the next world, I imagine her seated with her peers―perhaps at a table with Kafka, Bob Dylan, and Emily Dickinson. Having her work in this bilingual edition, with Marguerite Feitlowitz’ elegant translations, is a valuable gift to the English-speaking world of experimental literature.”Alicia Ostriker, author of Waiting for the Light and The Volcano and After: Selected and New Poems, 2002-2012

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